Postmodernism in The Suburbicon movie

Qonita, Neila (2019) Postmodernism in The Suburbicon movie. Diploma thesis, UIN Sunan Gunung Djati Bandung.

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Abstract

This research is under a postmodernism theory. The purpose of this research is to analyze charachteristics of postmodernism in Suburbicon movie by using postmodern theory. This study has two objectives; 1) To find out why the Suburbicon movie’s characteristics is different from others postmodernism movie. 2)To find out what the function of this movie as a postmodernism movie. This study employed a descriptive qualitative method since it emphasized on describing the characteristics of postmodern movie that are presented in Suburbicon movie. Moreover, to obtain the data, the movie will first be separated according to what the researcher will examine. Therefore, there are some steps to collect the data as follows: Watching the Suburbicon movie, Scrutinizing the movie from the dialogue, and scene to the scene of Suburbicon movie, Matche the dialogue, the scene, and the plot of the Suburbicon movie to the concept of postmodern theory and Denzin’s postmodern film theory, making a data sheet based on categories the data based on the classification, and Analyzing and interpreting the data. This study reveals two findings. First, of Denzin’s five characteristics of postmodern film, only three characteristics found in Suburbicon movie. They are the portrayal of femme fatale as female character, locating violent margins into everyday society and the using of violence and wild sexuality. There are two absent characteristics of postmodern in this movie. The first is terrorizing the nostalgia of the past and the second absent characteristic is there is no an effacement of boundaries between past and present. Whereas in other postmodernism movie there are that two points, but not in the Suburbicon movie.

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