Unraveling Religious Symbolism in Tokwi Lasem Batik Motifs: Charles Sanders Peirce's Semiotic Analysis of the Representation of Meaning and Cultural Identity

Cakranegara, Doddy Iskandar and Muhtadi, Asep Saeful and Syukur, Abdul and Truna, Dody S (2026) Unraveling Religious Symbolism in Tokwi Lasem Batik Motifs: Charles Sanders Peirce's Semiotic Analysis of the Representation of Meaning and Cultural Identity. International Journal of Nusantara Islam, 14 (1). pp. 161-180. ISSN 2355-651X

[img]
Preview
Text
161-180+Unraveling+Religious+Symbolism+in+Tokwi+Lasem+Batik+Motifs.pdf

Download (1MB) | Preview
Official URL: https://journal.uinsgd.ac.id/index.php/ijni/articl...

Abstract

This study investigates the representation of religious symbols embedded within the Tokwi Lasem batik motifs, utilizing the semiotic framework of Charles Sanders Peirce. Originating from the Chinese Peranakan community in Lasem, Central Java, these batik motifs carry profound spiritual significance, particularly symbols rooted in Taoist belief systems, such as the Three Star Gods (Fu Lu Shou), the Eight Immortals (Ba Xian), dragons, phoenixes, and Mandarin characters. Employing a qualitative method, data were collected through participatory observation, in-depth interviews with artisans, cultural experts, and curators, as well as a literature review. The findings demonstrate that the motifs serve not merely as decorative art but as sacred signs functioning within Peirce’s triadic model of semiosis—comprising representamen, object, and interpretant. These signs embody a dynamic interplay of religious meaning and cultural memory, forming a visual language that bridges the sacred and the everyday. The motifs reflect a deep-seated syncretism between Chinese Taoist cosmology and Javanese local traditions, articulating identity, reverence, and continuity of belief. Theoretically, this study contributes to the growing body of scholarship on religious semiotics and material culture, while also emphasizing the interpretive richness of traditional batik as a medium of spiritual communication. Practically, the research advocates for the recognition of batik as a living heritage, fostering cultural resilience, interethnic understanding, and localized approaches to heritage education and preservation.

Item Type: Article
Uncontrolled Keywords: acculturation; cultural identity; material culture; religious symbolism; visual communication
Subjects: Culture and Institutions
Communications Telemunications
Divisions: Pascasarjana Program Magister > Program Studi Studi Agama Agama
Depositing User: M Taufiq Rahman
Date Deposited: 03 Jun 2026 02:57
Last Modified: 03 Jun 2026 02:57
URI: https://digilib.uinsgd.ac.id/id/eprint/132050

Actions (login required)

View Item View Item